Fibre art & textiles exhibitions in Kyoto May 2023

Posted on June 12, 2024 by Toothpicker

A table full of textiles, fashion and craft exhibition leaflets at the Kawashima textile school

While Tokyo’s art museums and galleries regularly hosts major contemporary art and design exhibitions, Kyoto is THE place to visit if you are interested in traditional Japanese crafts and textiles. When I was staying at the Kawashima textile school, my weaving classmates and I would take the opportunity to see the various textiles exhibitions in the city on the weekends.

One of the most mesmorising exhibitions that we saw was ‘Fiber art by Fifteen’, showcasing extraordinary fibre art works by 15 Japanese fibre artists. Although fibre art became an international movement in the 1960s-70s, its ambiguity also became a hindrance and most people don’t know how to define or classify it. Is it textile art? Craft? Sculptural textile? Conceptual art? For decades, the term ‘fibre art’ seems a bit dated, and fibre artists were not considered as real ‘artists’ except for Sheila Hicks. However, in recent years, the perception on fibre art has changed and it is being taken more seriously. At last. This fibre art exhibition introduced us to 15 contemporary Japanese fibre artists, who use textiles and washi to creat unique and beautiful sculptural or 2-dimensional pieces.

Top right: Chieko Maeda; Bottom: Shigeo Kubota

Top: Tetsuo Kusama; 2nd row: Tatsumi Ushio; 3rd row: Ai Ito; bottom row: Hiroko Ote

I was particularly impressed by Kazuyo Onoyama (born in 1951 in Tokushima)’s fibre feather as each one looks so delicate and light… her works look stunning both from afar and up close!

Kazuyo Onoyama

On the top of Daimaru department store, there was a rare chance to see ‘The 57th Japan Traditional arts exhibition 2023’ exhibiting splendid traditional kimono that showcase different techniques like kasuri, katazomi and yuzen etc.

The Daimaru award was awarded to the artisan who made this Kurume Kasuri kimono, which is traditional technique that dates back over 200 years, and recognised as an important intangible cultural property of Japan.

We also visited Musee de Some Seiryu, the world’s first museum dedicated to contemporary dye art works. The exhibition we saw featured abstract dyed textile pieces by textile artist, Motono Toichi (1916- 1996). Unfortunately no photography is allowed inside, but it was interesting to see the modern textile art pieces by a Japanese textile artists who is not less well-known in the West.

Motono Toichi exhibition

Another interesting museum nearby is Hosotsuji Ihee Museum, a museum dedicated to tenugui/ a traditional hand (or multipurpose) cloth. The museum is named after the fabric merchant Hosotsuji Ihee, who established one of Japan’s oldest continuously running businesses, Eirakuya, in 1615. Initially dealing in silk fabrics, Eirakuya eventually shifted to selling cotton as it became more and more popular in Japan and still has 9 shops in Kyoto.

In 2018, the Eirakuya company opened the Museum to showcase the diverse art and craftsmanship of tenugui as well as to archive the history of the shop. It exhibits Eirakuya’s past designs and offers a glimpse into its history, as well as into the future of the art. The exhibition we saw was called ‘Modern girls’ and it featured some wonderful art deco style illustrations on the tenugui. There is also a shop on the ground floor that sells many interesting tenugui with contemporary illustrations.

Hosotsuji Ihee Museum

Kyoto’s textile heritage: Kawashima textile museum & kasuri in Nishijin

Posted on June 10, 2024 by Toothpicker

Kawashima textile museum

One reason I love Kyoto is that it is full of hidden gems, and there are always pleasant surprises whenever I visit. One of the least touristy museums in Kyoto has to be the Kawashima textile museum partly due to its distance from the centre, but also down to the fact that prebooking necessary for the visit. After our 2 week course, we were granted a guided tour of the Kawashima textile factory followed by a museum tour near the school. It was a real privilege to visit the factory to see how the large-scale tapestries were designed and produced. I was particularly impressed by a room full of vintage and Jacquard looms, even though they are now dormant.

The Kawashima Selkon Textiles company was founded in 1843, and The Kawashima Textile Museum opened in 1889 is the oldest company museum in Japan. One of the missions that Kawashima Selkon Textile company aimed to achieve was to continue to contribute to development of textile culture by preserving and educating the public on the history of textile crafts and techniques. In order to achieve this goal, the company constructed the Ichihara plant in 1964 handled by 4th Jimbei Kawashima, which includes the factory, office, museum and school with dormitory.

Opened under the name Museum of Art Specimens, the museum exhibits masterfully-woven textiles produced by the company over the last 170 years, as well as historic textile artifacts and exhibits. There are over 150,000 items in the museum, ranging from dyed and woven textiles, 7th Century textile artworks (jodai-gire), historically notable works (meibutsu-gire), Chinese fabrics, Coptic fabrics, traditional costumes, books and drawings. In recent years, the company has also collaborated with renowned international designers to produce new home furnishings and furniture. During our visit, there was an exhibition on the new collaboration, which were exhibited at the Milan design week.

The following day, we headed to Nishijin, Kyoto’s famed historic textile district to visit Kasai kasuri atelier specialising in kasuri (絣). Kasuri is a form of double ikat dyeing, which creates splashed patterns characterised by their blurred edges ( ‘kasuri’ means blurring) on the textiles. Originated in ancient India, the history of kasuri dates back to 5th century Kyoto in the Nishijin district where local weavers worked.

Currently, double ikat is practised in only three countries in the world: India, Indonesia and Japan. Unlike single ikat, the warp and weft are both resist-tied according to a specific design and, when woven, intermesh seamlessly to reveal the pattern. Hence, the process of preparing the warp and weft yarns for dyeing demands the same degree of mathematical precision as the process of weaving the textile on the loom. In 2019, I visited Patan in Gujarat, which is famous for Patola, a double ikat woven sari, usually made from silk. At the Patan Patola museum, aside from demonstrations and exhibits on the locally made textiles, there were also double ikat textiles from Indonesia and kasuri textiles on display. This shows that the curators at the museums view kasuri and Indonesian ikat textiles on par with their intricate Patola textiles.

The kasai kasuri atelier is located in the historic Nishijin textile district

Sadly, like many traditional crafts around the globe, the craftsmandship of kasuri is under threatened due to less demands for kimono and obi, aging artisans and fewer young people wanting to learn a craft that is time-consuming and requires meticulous care as well as precision. Now one of the ‘youngest’ (middle-aged) artisan working in Nishijin is Ikuko Kasai, who is determined to preserve and pass on the invaluable craftsmanship that has been passed on for centuries.

We felt very grateful to have spent the afternoon at the atelier learning about the process of kasuri. In Nishijin, each artisan specialises in only one task, hence they all have to collaborate together to create the kimono or obi piece. Usually a custom-made kimono would take around 6 months and 20 artisans to complete, which explains the high price tag. At her atelier, Kasai san is responsible for the marking and wrapping of the yarn to be resist-dyed at a differenet dye studio. After the initial dyeing process, the dyed yarn returns to her studio again for a second wrapping, and this process can be repeated multiple times depending on the colours on the design. After the dyeing process, the dyed threads are spunned around a drum-like machine called Taiko (see below). The next stage is called ‘hamekomi’ when the threads are counted and arranged according to the design. The last stage involves the threads are hung on a machine called ‘hashigo’ (meaning ladder – see below), and passing through metal rods at various height, so that the horizontal lines are shifted vertially to create the unique kasuri patterns. The finished yarn is then ready to be shipped to the weavers to be woven.

One thing really struck me during and after the visit, and it was Kasai san’s immense passion for her craft and her determination to pass on the craftsmanship. She was always smiling while explaing her work and techniques, but I am sure her road has not been easy so far. With dwindling orders for custom-made kimono and obi, the presevation of the heritage and craftsmanship is crucial for the Nishijin craftsmen/ artisans. Undoubtedly, they have a tough road ahead of them, but I think with the resurgence of traditional crafts like shibori, natural dyeing and weaving etc in recent years, there is hope for things to change.

Beginners weaving course at Kawashima Textile school 2023

Posted on June 5, 2024 by Toothpicker

It is early June 2024, exactly a year after I completed the 2-week beginners weaving course at Kawashima Textile school in Kyoto, and I decided to share my experience one year on. One reason why I stopped updating the blog was because it is a very time-consuming task, and due to the pandemic, my life (like everyone else’s) changed drastically. Once I lost the incentive/ momentum/ habit, it is rather difficult to pick it up again. However, lately I have been thinking that it would be a shame not to share my experriences, especially my craft journey in Japan over last spring/summer.

The 3-month trip to Japan was originally planned for spring/summer 2020, but sadly it got postponed due to the pandemic. The Kawashima Textile school is a well-known vocational school in Kyoto that specialises in weaving. Every spring and autumn, it accepts only 5 international students onto their weaving courses out of hundreds of applicants. I was thrilled when I was got accepted, so it was particularly disaappointing when the school decided to stop the all the courses due to the pandemic. I refused to get a refund and opted to wait three years, which seemed to impress the teachers/admin of the school! Before the course, I knew very little about weaving and have only done some Saori/ free style weaving, which is quite different from traditional weaving. Shockingly, despite being the oldest person out of the 5 students, I was also the one with the least experience, which was a hindrance for me.

Founded in 1973 by Kawashima Textile Manufacturers Ltd to commemorate the 130th anniversary of the company, the school is one of the oldest textile academies in Asia. The internationally-renowned Kawashima Selkon Textiles (the company changed its name in 2006) is a fabric manufacturer founded in Kyoto in 1843, and it is particularly known for its tsuzure-weaving techniques used for large-scale stage curtains. Secludedly located in the suburbs North of Kyoto, the factory, school and museum (appointment only) are largely tourist-free, with only one small supermarket and one konbini near the railway station.

Surrounded by by mountains and beautiful nature, the school and dormitory were designed by renowned Japanese architect Shozo Uchii, and was warded with the Building Contractors Society Prize in 1975. The weaving room up in the main school looks absoultely splendid with row after row of vintage looms and equipment. Most of the tools that we used are original/vintage items and rare to find these days. Hence it was a real privileged to be able to stay and study in this environment and get acquianted with some local textile students.

Over two weeks, we learned to dye woollen yarn using acid dye (not my usual preference, but I guess it is ok for this occasion), set up the large loom (which takes over a day), read the charts and weave some basic patterns. It all sounds pretty simple, but I found out that it is really not as simple as it sounds!

A lot of my friends were curious to know my reason for doing this course. I have never thought of learning to weave until I saw a few natural dyers who could weave too. It made me think that perhaps I could dye and weave by myself in the future (very idealistic). Also I enjoyed some saori weaving previously, so I thought I would make sense to learn the basics.

It turned out that I am completely hopeless at weaving and tying knots! I am a right-brained person, and I reckon that weaving is more suitable for people who are logical and diligent (which I am not). I never knew that setting up the loom would be so time-consuming – it requires a lot of concentration and meticulous care. After making a few mistakes while threading, I had to redo it all over again, which was very frustrating. Even while weaving, my threads constantly got tangled, and the more I tried to untangle, the worse it became, so I ended up spending hours after dinner in the weaving room trying to fix my mistakes.

After struggling for 2 weeks, I finally completely the 2 pieces thanks to Emma sensei’s patience and teachings, and I even received a certificate for it. Thankfully, I did not enroll onto the kasuri (double weaving) course right after, because I was told by my classmates that it was very complicated and even they struggled with it.

Despite it all, I am glad that I took the course and learned the basics of weaving, meanwhile I realised that weaving is not for me as I much prefer freestyle weaving, natural/indigo dyeing, shibori or block printing. However, it was interesting to spend three weeks staying in the suburbs of Kyoto exploring places that I normally would not visit if I was staying in the city centre.

Ichihara is a quiet suburban town reachable via bus or the Eizan railway from the centre of Kyoto. The railway line ends in Kurama, a popular day trip destination for visiting the sacred Mount Kurama and its famous temples. The train journey is very scenic, with some special scenic trains and a maple tree tunnel, which I believe would like spectacular in autumn. Interestingly, the seating inside some trains were woven by Kawashima textile company, and I even spotted some small ‘photo-like’ woven tapestries at the Ichihara train station. It is easy to miss them as they look like ordinary sightseeing photos (see above)!

The Daijingu-sha Shrine behind the railway station

Over the three weeks, my classmates and I would spend the weekends exploring either the city or its surrounding area. On weekdays, I would sometimes go for walks around the town after dinner. Since the town is located in the mountainous region, with Kurama river running through it, it is very tranquil as few Kyotojin would visit this area, let alone tourists.

I think the school has certainly picked the right location for its students as there isn’t much to do in the surrounding area, but nature is plentiful, thus very inspiring for the students. Sadly I learned that local students (especially male) who apply for the weaving courses have been dwindling in recent years as less youngsters are interested in becoming full-time weavers in this day and age. There are exchange programmes with schools overseas, and students can also get apprenticeship/jobs at the factory, but I am not sure if these are ‘appealing’ enough for them. I know that the school also runs short courses on weaving and natural dyeing for the locals, so I hope that these would help promote the school and the craft of weaving. It would be a real shame to lose the school as it is part of Kyoto’s craft heritage, and it needs to be preserved for future generations.

Nature Observations (lockdown 2021)

Posted on January 17, 2023 by Toothpicker

We often talk about time as if it is real, yet according to Albert Einstein and many scientists, time is only an illusion. Time is subjective and personal, and everyone has their own concept of time. In Zen Buddhism, the founder of Soto Zen, Dogen Zenji (1200–1253), also wrote about time or ‘uji’ in Japanese, which is usually translated as ‘Being-Time’. The most common interpretation of the two kanji characters is: “time is existence and that all existence is time.” According to Dogen, we are time, and time is us. Time is a complex subject, and I don’t intend to dwell on it here, but personally, the lockdown has made me become more aware of my relationship with time.

During the pandemic, my digital calendar and paper planners were mostly blank for about 2 years. I had no work events or social engagements to attend, and no upcoming holiday to look forward to. I am sure that many people experienced some sort of anxieties when all the short and long term plans suddenly came to a halt. And with so much ‘time’ on our hands, how were we going to spend it?

Perhaps for the first time in life, I did not have to check my watch, clocks and calendar frequently. I stopped planning, and after a while, time became ‘insignificant’. I could ‘waste’ it day after day without feeling guilty about not being productive enough. When I finally let go of ‘time’, I felt liberated. I learned to slow down and live each day as it comes.

Instead of obsessively checking the clocks for time and calendar for dates, I began to observe time through plants and flowers when I went out for walks during the lockdown. Nature became the measuring device for me.

Winter

Perhaps it is a misconception to think that flowers do not bloom during winter. In fact, there are many evergreen shrubs and flowers that thrive in the winter like Snowdrops, Hellebores, Eranthis, Primrose, and Viburnum tinus Eve Price etc. During my lockdown walks, I would come across some blooming flowers despite the cold weather. With less distractions and stimulations, I found joy in identifying unknown plant species during my strolls around London.

First left: Hedera colchica/ Persian Ivy; First right: Algerian iris; 2nd row: Hellebores; bottom left: Japanese skimmia; Bottom right: Iris foetidissima

Perhaps the most surprising aspect of winter plants or flowers are the array of vibrant colours. There are bright pinks, reds, violets, and yellows – these are colours normally associated with spring/summer, yet they can be seen during the winter too. Time passes quickly when you place your focus on the surrounding nature rather than on yourself – the lockdown probably created an environment for introspection, yet too much of it would make us too self-focused due to less interactions with the outside world.

First left: Red twig dogwoods; First right: maple leaves: 2nd: snowdrops; 3rd left: Eranthis; 3rd right: Mahonia; 4th & Bottom left: Viburnum tinus Eve Price; Bottom right: Hellebore

First left: Euonymus europaeus; first right & 2nd: Chaenomeles; 3rd: Weigela Pink Poppet; last row: Magenta Hebe

First: Crocus tommasinianus ‘Ruby Giant’; 2nd: Erica carnea/the winter heath; 3rd: Viburnum tinus Eve Price; 4th: Clematis armandii; Bottom: Primrose (Primula vulgaris)

My favourite time of the year is autumn and spring. Around late February and early March, the day light hours would last longer, which means spring is in the air. The gradual increase of sunshine and day light makes a huge diference to the ecology and humans. We start to notice daffodils blooming everywhere, and seeing the golden yellow colour covering the parks immediately uplifts our moods and spirits.

Daffodils

On the grounds, there are daffodils, and when we look up, we would see seas of sumptuous white and pink magnolias over our heads. Magnolia shrubs seem to be ommonly planted in people’s gardens in London as I tend to see them a lot when I walk around my neighbourhood.

White and pink magnolia

For those (including me) who yearned to go to Japan but couldn’t for the last few years, the joy of viewing cherry blossom seemed to have become a distant memory. Yet London is also a good place for sakura viewing; even though it is not as spectatular as Japan, the number of Japanese cherry trees being planted in the U.K. have been increasing over the years. As far as I am aware, there is only one white-flowering cherry tree (Prunus x yedoensis) standing alone the middle of an open field in Hampstead heath, and when it blooms, it is quite stunning. The next obvious place to view sakura would be Regent’s Park, both inside and on the outer ring.

A white-flowering cherry tree/ Yoshino cherry (Prunus x yedoensis) in Hamspstead heath

Cherry trees in Regent’s park

The lesser-known sakura viewing spot is the residential neighbourhood, Swiss Cottage. The open space in around Hampstead theatre and Swiss Cottage library features rows of white-flowering cherry trees (Prunus x yedoensis) and pink-flowering cherry trees (Prunus x subhirtella ‘Autumnalis Rosea’). When the flowers are in bloom, they do look quite spectacular and make you feel you are in Japan for a second. Since it is a recreation space, it may even be possible to have a viewing picnic party there (weather permitted).

The stunning pink-flowering cherry trees (Prunus x subhirtella ‘Autumnalis Rosea’) in Swiss Cottage

In spring, we would often see a lot of beautiful camellias in various colours, especially Camellia japonica, which is the predominate species of the genus. Besides that, we might be able to spot some ravishing rhododendrons or azaleas ( particularly at Kew Gardens) blooming in people’s gardens.

Camellia – Top & 2nd rows: Japonica Camellia

First: rose; 2nd & 3rd: Rhododendron; 4th: buddleia; botton: primrose

If you are not a fan of showy ornamental plants/flowers, there are plenty of wild spring flowers that are captivating too. Personally, I am quite fascinated by gorse/ulex (commonly seen around the UK especially in Scotland), which is an evergreen shrub with bright yellow pea-like flowers and spiny leaves. The flowers are eible and can be used as a medicinal tea, as well as a natural dye, producing a yellow colour on the fabrics.

Top: Forsythia; Bottom: common gorse

Spring is also the season to enjoy various lilac/blue/violet flowers like Ceanothus, Periwinkles, wisteria, lavender and bluebells. Ceanothus are popular garden shrubs in the UK, and their lilac flowers are particularly impressive.

However, when it comes to popularity, wild bluebells certainly rank quite high up on the list. Besides cherry blossoms, the bluebell seasons are highly anticipated by many too. It is quite easy to spot bluebells in spring, but the best places to view are still in the woods. Whenever I see a stunning carpet of blue in the woodlands, I would feel instantly quite ecstatic. There are two main types of bluebells in the U.K.: the British bluebell, (Hyacinthoides non-scripta) and the Spanish bluebell (Hyacinthoides hispanica), and the native ones are being protected by law as they are under threat now.

Top & 2nd: Ceanothus; 3rd: Periwinkle; last three: bluebells

When I immerse myself in nature, I could see the cycles of nature and life. Flowers bloom, wither, and are replaced by other species as the seasons change. When there is a beginning, there will be an end… though the cycle will continue to repeat itself indefinitely. It does not matter if we can’t figure out what ‘time’ is, the more important thing is to live in the present. We are now living in a more precarious and unpredictable world, hence we ought to enjoy each day as it comes. If you feel down/ stressed/ anxious, why not head outside and spend time in nature to get lost in time? I highly recommend it.

Lockdown walks in London (Winter/Spring 2021)

Posted on January 13, 2023 by Toothpicker

Hampstead Heath, 28th Dec 2020

It is January 2023, and I have not updated my blog for about 2 years. Although a lot has happened in the past three years, everything seems like a blur to me now. How did I pass my time during the lockdown days? When did the lockdown end? I don’t recall much now. Luckily, I did take many photos during that surreal period, and now I am looking at them trying to recall my weekly activities. After being stuck in Hong Kong for most of 2020, I returned to the U.K. at the beginning of Dec 2020, just days before the second/ third lockdown was announced by Boris Johnson. In hindsight, I would not have returned if I had known that there would be another lockdown. However, I was lucky to have missed the initial lockdowns in 2020, and only had to endure four months of lockdown in London, which turned out to be not as challenging as I had imagined.

Hampstead Heath from winter to spring

For months, I did not take any public transport and I walked everywhere. I walked to Camden Town, Hampstead Heath, Paddington, Oxford Street, Regent street, Covent Garden, Kings Cross etc. I saw a London that I have never seen before – deserted. Yet it enabled me to appreciate the city’s beautiful architecture, especially around Oxford Street. Perhaps the hardest part for me during the lockdown was not being able to meet up with friends (apart from a couple who live near me), and I had to rely on the weekly farmers’ market for some human interactions (not via zoom or Facetime). And over the few months, I became rather obsessed with cooking – though as much as I enjoyed creating new dishes, I was completely sick of eating my own cooking by the end of the lockdown.

Primrose Hill

Walking around London during the lockdown made me notice the surroundings more – I started to see all the architectural details that I had missed in the past. Usually I would not look up while walking down Oxford Street as I am more concerned with avoiding the crowds around me. Yet without crowds or heaps of tourists, I was able to saunder down the streets and appreciate the historic architecture in the city.

Regent’s Park

Oxford Street and Camden market are places that I would normally avoid as I don’t really like crowded places. However, during the lockdown, it gave me joy to wander through the empty (and rather eerie) Camden market. Meanwhile I also felt sympathetic towards the shops and businesses, and was particularly sad to see my favourite eateries/cafes in the neighbourhood close down due to the pandemic.

Camden Town and Regent’s canal

At the end of winter, Hampstead Heath and Regent’s park were becoming as packed as Bond Street before the pandemic, and I started to change my walking routes. Instead of going to parks, I did more walks along the Regent’s canal. I headed east towards Kings Cross and west towards Paddington along the canal… these walks lasted only a few hours but they were uplifting especially on a clear and sunny day.

Kings Cross’s Coal Drops Yard

Two years on, it seems unlikely that we will experience another lockdown soon (fingers crossed), and what I miss most about that period is the sounds of nature ( like birds chirping while walking down the streets) and cleaner air. The pandemic made many of us (city dwellers) evaluate our relationships with nature and our cities. It is hardly surprising that many Londoners decided to move to the countryside during/ after the pandemic. Nature has healing power, which is why so many of us turned to nature during an anxious and unpredictable period.

Top: Abbey Road; Second: Maida Vale; 3rd & 4th: Little Venice; 5th to bottom: Paddington

According to a report commissioned by the City of London Corporation, London is the greenest major city in Europe and the third greenest city of its size in the world. The metropolis contains 35,000 acres of public parks, woodlands and gardens, hence 40% of its surface area is made up of publicly accessible green space. Our public green space is precious, and I hope Londoners will continue to cherish and protect it.

Regent Street, Carnaby Street, Oxford Street; Bottom: RIBA

Top: The London Central Mosque; Regent’s Park’s Outer Circle

Covent garden

A long walk around Chorleywood and Hertfordshire in spring

Six years on: Peng Chau revisited

Posted on November 29, 2020 by Toothpicker

After my trip to Japan was cancelled due to COVID19, I was stuck in Hong Kong for many months… and like many locals, I felt rather claustrophobic after spending days on end indoor. Luckily, unlike the U.K. and many Western countries, there was no lockdown in the city, hence it was still possible to roam around town – at your own risk.

When the covid cases dropped and the hot summer was over ( I found it hard to cope with Hong Kong’s humid summers), I was able to do more outdoor activities again. I decided to revisit Peng Chau after a six-year gap (see my earlier blog entry here), as I thoroughly enjoyed the island’s tranquil and unspoilt environment. Has the island changed over the last six years? Yes, certainly, but currently it is still less ‘developed’ than other islands such as Cheung Chau and Lamma Island.

One notable difference from my last visit was that there were considerable more visitors due to the global travel restrictions. Stuck within the small city, many lcoals are starting to appreciate nature and fresh air, and they are desperate to get out of the urban jungle – who can blame them? In the past, Peng Chau was probably the least visited Outlying Islands in Hong Kong as it is the smallest and the least commercial. However, the pandemic changed everything, and even Peng Chau has become a hot spot for local tourists.

When I visited six years ago, the island’s eateries were divided into two categories: big seafood restaurants or small cha cheng tengs. Western-style cafes were almost non-existent, let alone bars… now there are a few more cafes including a cosy Island Table Grocer Cafe (9 Peng Chau Wing Hing St) and a tiny Japanese tea room, Daruma Chaya (38 Wing On Street).

There was not much to see at the dilapidated Grade III listed former leather factory six years ago aside from a plaque commermorating the island’s once booming manufacturing industry. But over the past few years, a local resident, Sherry Lau, rented the 4000 square metres factory and began to convert it into an art hub filled with junk collected from the island. An alleyway off the Wing On Street would lead you to ‘My secret garden’, featuring some interesting junk art, street art murals, and an antique shop (also an Airbnb). It is very unusual to see junk yards like this in Hong Kong, and I am glad that Ms Lau took the initiative to transform the derelict space into something so unique. It seemed very popular with local tourists as it certainly was a selfie hotspot during my visit…

‘My secret garden’/former leather factory

Since Peng Chau is a very small island (0.99 square kilometres to be exact), it is easy to walk around the island within a few hours. I went up to Finger Hill first, the tallest point of the island, but the view here is a bit disappointing, so don’t get your hopes up too high. Personally, I prefer walking along the Peng Yu Path, a coastal path where you would pass by many empty sandy beaches with Hong Kong’s skyline as the backdrop.

One significant change took place since my last visit and it is the new addition of residential developments on the island, notably the row of luxury residential houses overlooking the sea near the pier. I can’t say that I am surprised by this because property development is contantly taking place in Hong Kong. But I am wondering if the island will lose its charm as more (wealthy) outsiders move here. Will the island become another Discovery Bay, which is full of expats, upmarket restaurants and bars? Six years ago, I was charmed by the island’s unspoilt, low-key and calm environment, but I wonder if this is under threat now – I sincerely hope not.

When I headed back to Central at around 5pm, the waiting area at the pier was completely packed and social distancing was all out of the window. And to my surprise, every seat of the ferry was taken despite the fact that this was a weekday afternoon… Not being able to travel meant that bored Hong Kongers are seeking out local sights to visit, and hiking has become one of the most popular activities during the pandemic. It would be fine if people respect nature and the environment, but many of them don’t, which is very frustrating. I think the pandemic has made many people realise the importance of nature in our lives, but outdoor ettiquette needs to be followed too.

I wonder how Peng Chau is going to evolve in the future, especially if more people are looking into moving out of urban areas after the pandemic. Perhpas its limited infrastructure is stopping people from moving here, I guess only time will tell.

Peng Chau’s tree, plants and flowers

A global pandemic is the time for reflection and change

Posted on September 1, 2020 by Toothpicker

Like everyone else around the world, my life has been vastly disrupted by Covid-19. I was traveling in India for a month until early March, and luckily left before it started to spread, which eventually led to a nationwide lockdown on 25th March. Then I arrived in Hong Kong days before the government imposed a 14-day quarantine for all inbound travellers. So far so lucky.

Sadly, my three-month stay in Japan had to be cancelled/postponed. All the courses that I enrolled onto were postponed to next year, just like the Olympics, which may or may not happen. I have been stuck in Hong Kong for months because all the flights were grounded until July, followed by a hike in all the airfares back to the U.K. I have no idea when I can return back to the U.K., and it is causing a bit of a problem for my work. Uncertainty is causing anxiety for everyone, and we somehow have to get used to it or even learn to embrace it.

How and why did it happen? When will this all end? Where do we go from here? What is our future going to be like? There are so many questions but very few anwers or even solutions. A majority of the population on this planet has never experienced a pandemic before, and we struggled to cope, physically and mentally. Yet it didn’t happen out of the blue, many scientists and visionaries had predicted it years before it happened, including Bill Gates. In 2015, Bill Gates gave a talk at the TED conference, aptly titled: “The next outbreak? We’re not ready”.

In Buddhist teaching, the law of karma refers to the law of cause and effect: that every volitional act brings about a certain result. It is the law of nature. In this case, we only have ourselves to blame. The cause of the pandemic is complex, but it is the result of human actions, regardless of whether they were intentional or not. Our planet has been sick for some time, and yet we continue to destroy and abuse it, and perhaps this is nature’s retaliation on us. I truly feel that nature has been too kind to mankind, and this is a stark warning sign for us all.

When governments place economic growth and technological developments as their top priorities, while disregarding the environmental impact on the planet, an imbalance would occur. This imbalance did not happen overnight. We are now dealing with numerous issues that have been accumulating over the past few decades such as climate change, pollution, electronic and plastic waste, deforestation, resource scarcity, antibiotic resistance, and overtourism… the list goes on. These are all man-made issues. We are killing our planet and we need to stop it asap.

During the pandemic, most planes were grounded, which meant that the air quality around the world improved as a result. Besides airplanes, luxury cruises were halted, road traffic was reduced substantially because of lockdowns; suddenly everyone has to go back to basics. Actually we don’t have much choice. This is the time to reflect and focus on what is most important to us. It turns out that most of us value our health and families more than money, work, fashion, and holidays.

I believe that crisis can bring opportunity and change. I only started my business due to a personal crisis; my suffering made me stronger and more motivated. If I hadn’t hit rock bottom, I probably would not have had the courage to start a business. All of us have the ability to changes our lives, and I believe the time is now. Instead of moaning about lockdowns/staying indoors, you can take the opportunity to do more indoor activities, and spend more quality time with our families. Often I would go into hibernation in winters, so staying in is not an issue for me.

Slowing down or being stagnated does not always feel comfortable, but it is essential sometimes. Maybe we need to accept that the world has been heading down a wrong path for decades, and now we need to readjust in order to find a more balanced path. I was quite pessimistic about our future before the pandemic, yet now I feel that there is still hope… if we become more aware/consicious of our actions, then we can make positive changes for ourselves and the environment. At the end of the day, our enemy is not the virus, but ourselves.

Spice walk & tour of the Windermere Estate, Munnar

Posted on April 28, 2020 by Toothpicker

Tea planations in Munnar

If you love nature, you would definitely love Munnar. Aside from tea plantations, I recommend doing a spice walk to learn about local spices and plants. After an inspiring guided walk at a spice garden before the conference, I was keen to do another one. At the Blackberry nature resort, the manager organised a guided spice walk for me in the morning to explore the surrounding area.

Unlike the previous walk, which took place within a spice garden, this walk focused on wild plants and spices. On this walk, I saw coffee plants and raw coffee beans for the first time, and tasted tree tomato (Tamarillo) picked from a tree. Often we forget that tomatoes are actually fruits, partly because they don’t taste as sweet as other fruits. Yet the tamarillo I tasted was quite sweet and juicy, hence I tasted more like fruit than vegetable.

Besides wild spices and plants, Munnar is also popular for bird-watching. There are many bird-watching and photography tours that attract bird lovers from around the world. There are about 142 species of birds are reported from Shola-Grassland and 162 species from Chinnar-Marayur plateau. I don’t know much about birds, but I do love hearing them chirp and sing every morning from my room at the resort.

After learning that the nearby Windemere Estate is set up in a 60-acre of tea, coffee and cardonmon plantation, I went and asked them if I could join their daily two-hour tour of the plantation. Even though the tour is for guests only, they kindly let me to join without charge.

Inspired by the Scottish Highlands and old plantation houses, the Windemere retreat is a boutique retreat with only 18 rooms. I particularly liked the cottage-style accommodations and garden full of colourful flowers.

In the middle of the estate, there is a semi-open Chai Kada (tea shop) where guests can relax and enjoy chai or coffee. I was kindly offered some coffee brewed from the beans grown at the estate before the tour – the first Keralan coffee of my trip.

Sadly the coffee harvest season had ended and there were barely any coffee fruits to see. However, the guided tour around the estate was really interesting and I felt like I have gain a lot of new knowledge in just two days.

My extended stay in Munnar finally came to an end, and it was time for me to move on and head down to the sea. Munnar is truly a paradise for nature lovers, so I would love to return here again one day.

Blackberry Hills – a tranquil eco resort in Munnar

Posted on April 25, 2020 by Toothpicker

I was due to leave India for Hong Kong after the Aranya conference at the end of February, but at the time, COVID-19 was starting to spread in Hong Kong, hence I decided to prolong my trip at the last minute. Luckily, the airline did not charge me for the change due to the circumstances. Looking back, I guess I was extremely fortunate because there were very few cases in India then, and I managed to enjoy another 2 weeks traveling around Kerala.

Since I was feeling quite exhausted after the conference, I wanted to relax and recuperate in Munnar for an extra few days. There are a numerous resorts in Munnar and it was not easy to pick one. After a bit of research, I booked the eco-friendly Blackberry Hills nature resort and spa, which is about 20 mins’ drive from the town centre.

Built on the slope of a hill, the resort offers a magnificent views of the Western Ghats. I knew I had picked the right place when I saw the surroundings and view.

There are 16 cottages over 15 acres of land, and the hotel kindly upgraded me to a larger room with sitting area and a balcony facing a mini forest. This balcony was where I spent most of my time, and it was probably the most tranquil spot during my journey.

Every morning I would hear birds chirping and chatting to each other, which was a joy. In the afternoon, I also saw two Malabar Giant Squirrels (Ratufa indica) jumping from one tree to another. I haven’t stayed at other resorts in Munnar, but I think this resort is perfect for nature-lover and the eco-conscious travellers.

There is one restaurant at the resort, which serves Indian and international dishes. The view from the restaurant is splendid, and you can easily enjoy a long lunch here. There is also afternoon tea tasting session where guests can taste different types of tea like green tea, cardonmon tea and masala chai etc.

Besides the stunning environment, I also enjoying chatting to the friendly and hospitable staff. When I asked the manager about an odd-looking fruit growing within the resort’s grounds, he said he wasn’t sure but would find out for me. A day later, after enquiring his botanist friend, he told me that the fruit is called tropical soda apple (solanum viarum). Interestingly, it is is a perennial shrub native to Brazil and Argentina, and an invasive species. The colours of the golf-ball-sized fruit resembles a watermelon, but it is toxic. Yet no one has any idea how this South American plant end up growing in India…

The resort occupies an entire mountain side, and there is a trekking trail that leads all the way down to the nearby village cum tea plantation called Attukad. However, due to hot weather, I abandoned trekking downhill and opted for a late afternoon walk westwards recommended by the restaurant manager. He told me that there is a great sunset spot about 45 mins’ walk west of the resort, and he was right. The sun setting behind the tea plantations and mountain was truly beautiful.

After extending an extra night, I ended up spending 4 nighs at the resort, which enabled me to recuperate fully. I believe that nature has healing powers, hence being surrounded by trees and mountains worked wonders for me, and I was very energised after my stay.

Two-day natural dyeing workshops at Aranya Natural, Munnar

Posted on April 22, 2020 by Toothpicker

The first two days of “The sustainability of natural dyes” conference took place at Eastend hotel in Munnar, followed by two days of natural dyeing workshops (at an extra cost) at Aranya Natural’s HQ. Due to limited numbers, all the spaces for the workshops filled up quickly, but many conference attendees requested to stand by and watch, which subsequently overfilled the workshops on the first day.

It was hard to blame those who wanted to watch the workshops as it was a rare opportunity to learn from three leading natural dyeing experts and a group of Japanese indigo farmers and dyers. Since the process of natural dyeing involves the understanding of chemistry, many of the experts would focus more on the chemistry rather than the aesthetics. To me, this is quite valuable, as I believe it is crucial to understand the science behind it all in order to achieve the desired results.

The first workshop that I attended was conducted by Michel Garcia, a world-renowned botanist, chemist, dyer, and naturalist. He is the founder of Couleur Garance (1998) in Lauris, France, and established Le Jardin Conservatoire de Plantes Tinctoriales (Botanical Garden of Dye Plants) in 2000. I have long wanted to attend a workshop by Michel, but he doesn’t seem to conduct many regular workshops, and I can only watch his videos online. In person, he is very funny, passionate and creative, you can really feel his passion for plants and natural dyeing.

In natural dyeing, a mordant is often needed to fix the dyes onto the textiles, and the most common mordant used is alum/potassium aluminium sulfate. At the workshop, Michel demonstrated how to use old tea leaves as a natural mordant, which was very interesting. However, the workshop was extremely packed, which made it difficult for us to hear and follow him properly. It was a shame that this issue was only addressed on the next day.

Screen printing workshop using natural dyes with Michel Garcia

The afternoon workshop was conducted by Jagada Rajappa, who is an independent textile entrepreneur/consultant on natural dyes. She demonstrated dyeing silk yarn with kapila (mellotus Phllipinces) and lac (coccous Lacca), which resulted in vibrant red and yellow. The results revealed that naturally dyed colours are not dull and muted as many would expect.

Jagada Rajappa‘s workshop and ceremony

The next day, the workshops were restricted to those who had originally enrolled, which made more sense. The first workshop was conducted by Linda LaBelle, who is a weaver and natural dyer specialising in indigo. She also runs the website The Yarn Tree that sells fair-trade indigo and other natural dyed items. After yesterday’s observational workshops, I was longing to get my hands dirty. Finally, we got to do some doodling with natural indigo on some cotton fabric that has been pre-dyed in myrobalan. It was a fun session and we got to taste some indigo tea grown by Linda.

Indigo Doodles workshop with Linda LaBelle

The last session was the one I had been looking forward to since I signed up months ago. Buaisou was established in Tokushima by a collective of indigo farmers in 2015, and it is partly responsible for the revival of natural indigo worldwide in recent years. Not only it has over 44K followers on Instagram, it also collaborates frequently with other fashion and textiles companies to promote Japanese indigo and the colour ‘Japan Blue’. Buaisou is renowned for its indigo leaf farming – from cultivating the raw indigo, fermenting the indigo leaves (Sukumo), dyeing, and designing, all the way to production. Since the fermentation process takes around 10 days, Kyoko (the manager) had to arrive 2 weeks earlier to set up the vat.

Since I have previously tried katagami (making paper stencils for dyeing textiles) and katazome (the Japanese method of dyeing fabrics using a resist paste applied through a stencil) with Bryan Whitehead in Japan (see my earlier post), I was quite familiar with the process. This time, I didn’t need to design and cut my own stencils as there were many beautiful and complex precut designs to choose from. We were all given a cotton bandana to work on, and after applying the paste through the stencils, we all took turns to dip the fabric into the indigo vat with some guidance.

I would say this was a taster workshop, and would love to learn more from them when I next visit Tokushima (which was supposed to happen this year but it got cancelled because of COVID-19).

After the workshop, it was time to say goodbye to everyone. Over the four days, I made many new friends from around the world who share the same passion as me, and got the opportunity to chat to many experts in the field, hence the conference has exceeded all my expectations. The fact that it managed to take place just before COVID-19 became a pandemic was extremely lucky.

After exchanging contacts with many attendees, a few of us decided to walk back to town and have dinner together. It was a pleasant walk downhill and we had a fun girls’ night out – something that I haven’t done for a long time.

In the past few years, the pursue of natural dyeing has opened doors for me and enabled me to make new friends from around the world. This was completely unexpected, and it made me realise that I am on the right path.