The Arvind Indigo Museum in Ahmedabad, India

arvind indigo museum

arvind indigo museum

 

If you visit Gujarat, you are likely to pass through/visit Ahmedabad the largest city and former capital of Gujarat. The Old city of Ahmedabad was the first in India to be declared as UNESCO World Heritage City in 2017. The historic city is also known for its textiles industry and it is home to one of the best textiles museums in the world: The Calico Museum of Textiles. Founded in 1949 by the industrialist Gautam Sarabhai and his sister Gira Sarabhai, the museum has a stunning array of Indian textiles dating back to the Mughal period, as well as collections of sacred bronzes, Jaina manuscripts, sculptures, and Indian miniature paintings etc. Visits to the museum must be booked well in advanced as there is only one guided tour per day (except Wed), and no photography is allowed. The 2.5 hour long tour is guided by a knowledgable but rather stern lady, and I found it hard to listen to her and take in all the history and information. Despite the fascinating collection, it was hard to enjoy the tour when being rushed around and forbidden to linger.

 

Arvind indigo museum  Arvind indigo museum

Arvind indigo museum

Arvind indigo museum

Arvind indigo museum

 

Luckily, there is a new museum in the city that is less formal and more relaxing, and it is dedicated to indigo. The new Arvind Indigo Museum is located at the former Kasturbhai Lalbhai Museum, hence it is a bit confusing if you are trying to look for its website. When we visited, the museum had just opened (partially), hence there were no other tourists and no prior booking was needed. Set among tall trees and lush gardens, the Kasturbhai Lalbhai Museum complex consists of two buildings restored by renowned architect Rahul Mehrotra. The colonial structure was built in 1905, but it was closed during our visit. The new indigo collection is called “Alchemy” and it is displayed in the adjacent building, the Claude Batley house built in the 1930s, which showcases indigo-dyed textiles, art and objects created by renowned contemporary artists from Indian and around the world.

 

Arvind indigo museum aboubakar fofana

Amit Ambalal's "Birds Of A Feather Flock Together"  Amit Ambalal's "Birds Of A Feather Flock Together"

Arvind indigo museum

Arvind indigo museum  Arvind indigo museum

First and last rows: Aboubakar Fofana; Second row: Amit Ambalal’s “Birds Of A Feather Flock Together”

 

Natural and indigo dyeing has made a huge comeback in recent years due to the issue of sustainability in the fashion and textiles industry. Therefore the opening of this museum is a timely one. Indigo is an indigenuous dye and it comes from a native plant called Indigofera tinctoria, grown mostly in Tamil Nadu nowadays.

The chairman and managing director of the 88-year-old textile and denim company Arvind Ltd, Sanjay Lalbhai wanted to pay homage to this magical dye that is closely related to his company and Indian’s heritage, so a 20,000 sqft museum dedicated to the artistic manifestations of indigo was born.

 

Arvind indigo museum  Arvind indigo museum

Artisan Kirit Chitara’s rendition of ‘Mata ni Pachedi’.

Arvind indigo museum hansika sharma

Arvind indigo museum  Arvind indigo museum

Arvind indigo museum Bhagyashree Suthar

Arvind indigo museum  Arvind indigo museum

manish nai 95 Natural Indigo Sticks installations

2nd row: Kirit Chitara’s rendition of ‘Mata ni Pachedi’; 3rd row: Hansikar Sharma; 5th row: Bhagyashree Suthar; 6th right and last row: Manish Nai indigo-dyed aluminium and 95 Natural Indigo Sticks installations

 

The exhibition is ambitious and fascinating because it goes way beyond textiles… there are sculptures, paintings, paper art, and even furniture. You can expect the unexpected here, and I think the curation is top-notch. Whilst the exhibition features many local artists, there are also works by artists from other parts of the world like Malian arist/designer, Aboubakar Fofana, whose beautiful indigo-dyed textile works can be seen hanging at the entrance area and in the courtyard of the new building.

 

Arvind indigo museum

Arvind indigo museum

Arvind indigo museum shola carletti

based upon's indigo fragmented crack

Arvind indigo museum Manisha Parekh

Arvind indigo museum Manisha Parekh Annie Morris  Arvind indigo museum

Arvind indigo museum Nibha Sikander

Arvind indigo museum Nibha Sikander

Nibha Sikander  Arvind indigo museum Sachin Tekade

Arvind indigo museum Sachin Tekade

3rd row: Shola Carletti‘s “essence”; 4th row: British duo Based Upon‘s “indigo Fragmented Crack”; 6th: Manisha Parekh’s paintings and British artist Annie Morris‘s sculpture made with indigo-dyed concrete, plaster, sand and steel; 7th, 8th and bottom left: Nibha Sikander; 8th right and bottom right: Sachin Tekade

 

The exhibition shows how diverse the indigo dye can be, and it is not just restricted to textiles. After the intense guided tour at the Calico Museum, it was pleasant to spend the afternoon here in a more relaxing setting surrounded by beautiful artworks. The museum is due to fully open in 2020, and I look forward to returning here again in the future to see more indigo art works.

 

Arvind indigo museum Alwar Balasubramanium

Arvind indigo museum Alwar Balasubramanium

Arvind indigo museum Tanya Goel

Arvind indigo museum

  Arvind indigo museum ‘Container’ by Kavin MehtaArvind indigo museum Shihoko Fukumoto

Arvind indigo museum

Arvind indigo museum

Arvind indigo museum

Arvind indigo museum Aboubakar Fofana’s denim installation

1st & 2nd rows: Alwar Balasubramaniam’s indigo landscapes; 3rd row: Tanya Goel; 5th left: Kavin Mehta’s ‘Container’; 5th right: Shihoko Fukumoto’s ‘Time Space’, made with indigo-dyed linen; 7th & 8th rows: Vipul Mahadevia’s “Kimono, the fabric of life”. Bottom row: Aboubakar Fofana’s Indian denim installation

 

 

Ancient stepwells in Gujarat: Modhera Sun temple & Rani ki Vav

sun temple modhera

 

I think most people who visit India for the first time would head to The Golden Triange for Rajasthan and Agra, whereas Gujarat seems less popular with first-time visitors. I have no question about the beauty and splendidness of Jaipur and Taj Mahal, but I also think that Gujarat is vastly underrated and hasn’t been promoted enough to foreign visitors. Before my trip, I knew nothing about this state and had never heard of the archaeological sites in the region, hence I was very pleasantly surprised during my visit.

There are many impressive archaeological treasures in this region, including stepwells, which are common in West India and parts of Pakistan. Basically, stepwells are wells or water tank in which the water is collected and reachable by descending a set of steps to the water level.

Surya Kund stepwell is an ancient stepwell at Modhera Sun Temple. Built on the bank of Pushpavati river, the Modhera Sun Temple is a Hindu temple dedicated to the solar deity Surya built in the 11th century by King Bhima I of the Chaulukya dynasty. The temple complex is divided into different parts; the first one is the Surya Kund stepwell, the others are Garbhagriha (main shrine) located inside Gudhamandapa (shrine hall) and Sabhamandapa (assembly hall).

 

sun temple modhera

Surya Kund Stepwell

sun temple modhera

Surya Kund Stepwell

Surya Kund Stepwell

 

Besides water storage, Surya Kund Stepwell was also used for religious ablutions before praying to the Sun God. The stepwell has 108 miniature shrines carved inside, since the number ‘108 has long been considered a sacred number in Hinduism and yoga.

Both the shrine hall and assembly hall are beautifully decorated from the exteriors to interiors. The Sabhamandap is open from all sides and it is supported by 52 intricately carved pillars which denote the 52 weeks in a year. The carvings show various episodes about the life and times of Lord Krishna. Although I am not very familiar with all the gods and goddesses in Hinduism, I was quite blown away by the craftsmanship here.

 

sun temple modhera

sun temple modhera

sun temple modhera

sun temple modhera

 

The Garbhagriha was designed so that the first rays of sunlight would shine onto the image of the Lord Surya at the equinoxes which happen twice a year – around 20 March and 23 September. This light would then bounce off the walls to illuminate the entire sanctum sanctorum. And on summer solstice day (June 20-21), the sun would shine directly above the temple at noon casting no shadow. What surprised me is the ingenuity of the engineers who were able to calculate and built this temple so precisely over 1000 years ago. It reminds me of the ancient temples that I visited in Egypt, and causes me to wonder if our advanced technology is actually helping us or making us more stupid!?

Interestly, the temple is also famous for its erotic sculptures, which seems odd in modern day India. But before the 13th century, India was very liberal and open about sex. Sex was considered a holistic act and was taught as a formal subject. Kama (sexual desire) was considered to be part of the four human goals of life. The other three goals were: Dharma (moral life), Artha (material gains and means of life), and Moksha (the release from the cycle of life and rebirths). Again, are we regressing or advancing? It is quite debatable.

 

sun temple modhera

sun temple modhera

sun temple modhera  sun temple modhera

sun temple modhera

 

Besides the Modhera Sun Temple, there is another stunning archaeological site constructed around the same time in the nearby Patan. It is the Rani ki Vav stepwell, built in memory of Bhima I by his widowed queen Udayamati. Construction started around 1063 and took 20 years to complete; its architecture and sculptures are similar to the Sun temple.

Rani ki vav is considered as the finest and one of the largest example of stepwell architecture in Gujarat. It was built in the Maru-Gurjara architecture style, and it reflects the mastery craftsmanship of that period. In 2014, the stepwell was added to the list of UNESCO’s World Heritage Site, but for some reason, the Modhera Sun Temple has yet to be listed.

Flooded by the nearby Saraswati river and silted over, the stepwell was buried underground for centuries until the 1940s. Aftre a major excavation by carried out by the Baroda State, the restoration of the stepwell took place from 1981 to 1987.

 

Rani ki Vav

Rani ki Vav

Rani ki Vav

Rani ki Vav

Rani ki Vav

 

It is hard not to be overwhelmed by the scale and beauty of this stepwell. There are four levels and measures approximately 65 metres (213 ft) long, 20 metres (66 ft) wide and 28 metres (92 ft) deep. The stepwell is designed as an underground shrine or inverted temple, and it is highly ornamented. There are 212 pillars in the stepwell and more than 500 intricately carved sculptures depicting Hindu gods and goddesses; the Buddha; men and women; monks, priests and laity; animals, fishes and birds including real and mythical ones; as well as plants and trees, Here, the Buddha is depicted as Avatar of Lord Vishnu, alongside with some erotic maidens, which demonstrates the liberal attitude of that period.

It saddens me to think that our world today is in such a depressing state. We are destroying our planet day by day in the name of technology and economy. Maybe ancient wisdom and culture can help us to find our way out of our global crisis. History will always repeat itself, not because of our stupidity, but because we never learn from our mistakes.

 

Rani ki Vav

Rani ki Vav

Rani ki Vav