Frieze sculpture 2017

Bernar Venet, 17 Acute Unequal Angles (2016)  Ugo Rondinone, summer moon (2011)

Bernar Venet, 17 Acute Unequal Angles (2016)

Top left & bottom: Bernar Venet, 17 Acute Unequal Angles (2016); Bottom right: Ugo Rondinone, summer moon (2011)

 

Regent’s Park is one of my favourite parks in London, and it becomes more enthralling in the summer when part of it is turned into a sculpture park by Frieze. I believe that art needs to be accessible to the public, hence, I consider this annual temporary outdoor display of works by contemporary artists a highlight of the city.

As always, there are sculptures that are intriguing, bizarre, incomprehensible, fun, and underwhelming… but it is always a joy to watch how people interact with them. The sculptures will be on display until 8th October, so there is plenty of time to see them for yourself.

 

Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016)  Miquel Barceló, Gran Elefandret (2008)

Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016)

John Wallbank, Untitled (Sewn Cube) (2016)  Rasheed Araeen, Summertime

Top left & 2nd row: Thomas J Price, Numen (Shifting Votive One, Two and Three) (2016); Top right: Miquel Barceló,Gran Elefandret (2008); Bottom left: John Wallbank, Untitled (Sewn Cube) (2016); Bottom right: Rasheed Araeen, Summertime – The Regents Park (2017)

 

Tony Cragg, Stroke, 2014

Jaume Plensa, Tribute to dom Thierry Ruinart (2016)  Magdalena Abakanowicz, Standing Figure with Wheel (1990)

Top: Tony Cragg, Stroke (2014); Bottom left: Jaume Plensa, Tribute to dom Thierry Ruinart (2016); Bottom right: Magdalena Abakanowicz, Standing Figure with Wheel (1990)

 

Michael Craig-Martin, Wheelbarrow (red) (2013)

KAWS, FINAL DAYS (2013)  Eduardo Paolozzi, Vulcan (1999)

Top: Michael Craig-Martin, Wheelbarrow (red) (2013); Bottom left: KAWS, FINAL DAYS (2013); Bottom right: Eduardo Paolozzi, Vulcan (1999)

 

John Chamberlain, FIDDLERSFORTUNE (2010)

Peter Regli, Reality Hacking No 348 (2017)  Hank Willis Thomas, Endless Column (2017)

Top: John Chamberlain, FIDDLERSFORTUNE (2010); Bottom left: Peter Regli, Reality Hacking No 348 (2017); Bottom right: Hank Willis Thomas, Endless Column (2017)

 

 

Frieze sculpture park 2014

Kaws - Small Lie Kaws - Small Lie

Kaws – Small Lie (2013)

 

Contemporary art has become big business these days. You can tell by the increasing numbers of visitors to the Frieze art fair each year, but how many of them are buyers? Apparently, only 20%. But prestigious art fairs are places to see and be seen, whether you can afford the work is besides the point.

Aside from the costly entrance fee, the thought of seeing art in a supermarket-style setting (even if it is more Waitrose than Aldi) does not appeal to me very much, however, the free sculpture park is very much appreciated.

 

frieze sculpture park Marie Lund - AttitudesNot Vital - Head (Mao)Reza Aramesh - Action 137Reza Aramesh - Action 137Caroline Achaintre - four grwwlJaume Plensa - Storm

Top right: Marie Lund – Attitudes (2013-4); 2nd row: Not Vital – Head (Mao) 2013; 3rd row left & middle: Reza Aramesh – Action 137: 6:45pm, 3 May 2012, Ramla (2014); 3rd row right: Caroline Achaintre – Four Grwwl (2014); Bottom: Jaume Plensa – Storm (2013)

 

This year, there were 20 pieces of art/ sculptural installations, and the most eye-catching and towering was New York-based artist Kaws (Brian Donnelly)’ ‘Small Lie’. There were also some fun and and playful installations like Italian artist’s Gabriele de Santis‘Can’t Take My Eyes Off You’, Austrian artist Franz West’s ‘Sitzwurst’, Matt Johnson’s ‘Baby Dinosaur’ and Michael Craig Martin‘s ‘Scissors (blue)’.

 

Gabriele de Santis - Can't Take My Eyes Off You Yayoi Kusama - Pumpkin(s)Martin Creed - Work No 732Franz West - Sitzwurst Roelof Louw - Holland Park

Top left: Gabriele de Santis – Can’t Take My Eyes Off You (2014); Top right: Yayoi Kusama – Pumpkin(s) 2014; 2nd row: Martin Creed – Work No 732 (2007); Bottom left: Franz West – Sitzwurst (1999-2000); Bottom right: Roelof Louw – Holland Park (1967)

 

Other interesting pieces included: Richard Nonas’s ‘Wedge’ installation made up of boulders in pairs where visitors could sit on; a sound installation ‘Where Did You Sleep Last Night’ by Kristin Oppenheim; Martin Creeds cool video intsalltion ‘Work No 732’; and Not Vital’s ‘HEAD (Mao)‘, which provided lots of selfie opportunities for visitors.

I always believe that art should be accessible to everyone, so I think Frieze’s sculpture park is a wonderful idea. It also provides an opportunity for visitors to enjoy autumn in Regent’s park and watch the squirrels interact with the art installations. I think they enjoyed it as much as the public did.

 

Richard Nonas - WedgeMatt Johnson - baby dinosaurMichael Craig Martin - Scissors (blue)Seung-taek Leefrieze sculpture park

Top row: Richard Nonas – Wedge (2014); 2nd row left: Matt Johnson – Baby Dinosaur (2013); 2nd row middle: Michael Craig Martin – Scissors (blue); 2nd row right: Seung-Taek Lee – Ppira (1970s)

 

A week of art in London

What does the word “art” mean today? What I learned about art when I was a student seemed like a world apart from what I am seeing now in the art world. Yes, art is constantly evolving, but the function and meaning of art has also changed significantly especially in the past two decades. I am not going to define art here, but as we have seen in recent years that art has become almost like a money-spinning tool, there are more artists than ever ( qualified or not) as well as collectors or investors. When I did A-level art at school, my art mates and I were called “dossers” by those who studied more academic subjects. No one took us seriously, and I remember adults used to say that becoming artists would mean staying poor all our lives! How things have changed in such a short time ( though I am aware that not all artists are as rich as Damien Hirst), but I am sure these adults did not expect even graffiti ( or street) artists like Banksy can become millionaires!

 

frieze sculpture parkfrieze sculpture parkfrieze sculpture parkfrieze sculpture parkfrieze sculpture park

Top left: Love by Gimhongsok; Top right: Geometric mirrors by Jeppe Hein; Main: The landscape is moving by Marilá Dardot; Bottom left: Three indeterminate lines by Bernar Venet; Bottom right: Listening bench #4 by Amar Kanwar

 

I have never been a huge fan of contemporary art ( esp. from 1990 onwards), and I am often more inspired by design, craft, architecture, photography, film or even street art. Personally, I find art fairs too commercial and I don’t enjoy viewing art in that environment or in that manner, and I certainly don’t want to pay such high price for it either! When I looked at the long list of art fairs taking place all over London within the same week, it made me wonder how many artists there are working today, there must be a lot! I decided to skip the talk of the town art fair Frieze and opted for the alternative ones out of curiosity…

 

frieze sculpture parkfrieze sculpture parkfrieze sculpture parkfrieze sculpture parkfrieze sculpture park

Top left: Rearrangeable rainbow blocks by Judy Chicago; top right: Grass painted green by Richard Woods; Bottom left: Piss flowers by Helen Chadwick; Bottom middle: Chloe by Jaume Plensa; Bottom right: A tree that looks like a sculpture ( is this art?)

 

On one afternoon, a friend and I went to the Frieze sculpture park ( curated by Clare Lilley, who is also the head curator of Yorkshire sculpture park) in Regents park and we both liked the mirrors placed in the middle of the park including “Geometric mirrors” by Jeppe Hein andThe landscape is moving” by Marilá Dardot, and the fascinating Listening bench #4 by Amar Kanwar. It is a shame that the sculpture park only exists for a few days each year, I am beginning to think that London needs to have a permanent sculpture park!

 

sunday art fairsunday art fairSAM_8452

Main: Sunday art fair; Bottom left: “Dancers Around an Effigy to Modernism” by Avery Singer; Tangram by Alek O.

 

At the nearby “conceptual” and free Sunday art fair, we were less inspired by the work we saw. There were some interesting pieces, but overall, the standard varied and we felt rather disappointed by the show. Hence, this prepared me mentally for The Other art fair & Monika art fair ( joint at Truman Brewery) that I was going to attend with an artist friend two days later!

Yet unexpectedly, both my friend and I were quite pleasantly surprised by the overall standard and variety of work on display. The show felt less commercial than other art fairs, and it was certainly more interesting to talk to the artists themselves than gallery representatives.

 

sunday art fairsunday art fairthe other art fairthe other art fairthe other art fair

Top left: Clearing gallery; Top middle: George Henry Longly; Top right: Souled Out Studio setting at Monika art fair; Bottom left: Ego Leonard

 

Here are some of my favourites from the show:

Gina Soden‘s photography really stood out. The photographer travels to undisclosed sites throughout Europe and explores beauty, decay, nostalgia and neglect through her architectural images. The detailed and muted coloured photos look almost like paintings, and it was especially intriguing to learn more about her photographic techniques and adventures at these sites.

Ego Leonard is is a Dutch guerrilla artist, who is known for his use of Lego figures in his work. The subject matter in his paintings is dark and thought-provoking, a huge contrast to the vibrant, playful and ‘happy’ style of the paintings. The artist is also known for placing giant Lego man with the slogan “No real than you are” across its torso on beaches around the world. Very clever and cool.

Alberto Fusco‘s detailed paper craft artwork is quite stunning and certainly very time-consuming. I like the geometric shaped arrangements and saw a link between his work and the thread work by Julio Campos nearby. The artist’s Concave & Convex series explores the concepts of time, movement and space through his delicate and beautifully handmade thread work. And I find the work quite mesmerising.

After spending almost three hours at the show, I felt that my brain could probably no longer absorb anymore, but I was glad that I went to the fairs for a change and would even consider paying another visit next year.