London Design Fair & Shoreditch Design Triangle

 Please Be Seated Paul Cocksedge

 

Please Be Seated is a large-scale installation designed by Paul Cocksedge, and it is made from more than 1,000 scaffolding planks. Cocksedge collaborated with Essex-based high-end interiors company White & White to re-imagine and re-use the building wood. The curvy seating encouraged passerby to sit and relax with their books or lap tops, which subsequently turned the square into an interactive and social space.

 

 Please Be Seated Paul Cocksedge

 Please Be Seated Paul Cocksedge

 

At the annual London Design Fair in the Old Truman Brewery, the main focus was on craftsmanship and sustainability (a big trend at the festival this year).

 

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

 

One of the surprises was to see United Arab Emirates showing for the first time at the fair. Curated by the Irthi Contemporary Arts Council and the NAMA Woman Advancement Establishment, the pavilion featured 12 works made by UAE women using a range of traditional crafting techniques and local resources. Designed to reflect the nature and landscape of the UAE, elements such as wood and camel leather are featured in the works.

 

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

Contemporary craft work by UAE women curated by Irthi Contemporary Crafts Council

 

This year’s Material of the Year was all about biomaterials – another hot topic in the design world today. Developed from the by-products of the agricultural industries, biomaterials are innovative materials that are created mostly from food and industrial waste. One of the most intriguing materials is Totomoxtle, a new veneer material made with husks of heirloom Mexican corn designed by Mexican designer Fernando Laposse. Meanwhile, Italian design firm High Society has created plant-based lighting from the post-industrial waste including hemp, tobacco and residue leftover from wine production.

 

Fernando Laposse's Totomoxtle

london deisgn fair 19  Palmleather Studio Tjeerd Veenhoven

Top: Fernando Laposse’s Totomoxtle; bottom left: High Society’s Highlight; Bottom right: Studio Tjeerd Veenhoven‘s leather-like material and products made from palm leaves.

 

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19  london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

london deisgn fair 19

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london deisgn fair 19

london deisgn fair 19

 

 

In the nearby Shoreditch, I stumbled upon a pop-up shop showcasing a new brand that also uses industrial non hazardous waste as the main elements of design. Cancelled plans is created by Indian designer Mallika Reddy, who has been collecting rejected materials from local factories and combined them with conventional materials to create a range of fashion accessories. The range will be available for purchase on the website at the end of the year.

 

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Cancelled plans’ pop up shop

 

 

 

 

 

London Design Fair 2016

Rive Roshan at the design fair 2016

Installation by Rive Roshan using Kvadrat Divina

 

This year, Tent London & Super Brands London celebrated its 10th anniversary and was rebranded as London Design Fair. The fair at the Old Truman brewery hosted over 500 exhibitors from 29 countries, making it the most international fair of the Festival. Exhibitors include independent designers, established brands, and international country pavilions, such as 100% Norway, Portugal, China, Sweden, India and Italy.

I felt that the overall standard of this year’s fair was high. There was a strong emphasis on handmade crafts and designs using mostly natural and organic materials. The pavilions that caught my attention were Inspiring Portugal, China academy of art and Scotland: Craft and design.

 

ceramics made at Cerdeira village  serip

Gencork  Kit Miles and Moooi Carpets   Corvasce Design

Top left: Ceramic crafts made at the Cerdeira artist village; Top right: Lighting by Serip; Bottom left: Gencork and BlackCork by Sofalca; Bottom middle: Kit Miles and Moooi Carpets; Bottom right: Cardboard chairs by Corvasce Design

 

I am a big fan of Portugal or anything Portuguese, and so I was particularly intrigued by Portuguese designs. Cork is one of Portugal’s most popular raw materials, and it is often featured in the creation of local crafts and designs. Aside from cork, a range of beautiful crafts were on display to show the craftsmanship from the Cerdeira artist village.

 

leonora richardsonmamoutzis

Forest and Found

Wooden & woven spoons  img_8227-min  yuta segawa

Jie Yang

img_8259-min   Liang Liu

Top left: Leonora Richardson‘s ceramic cylinder cells; Top right: Ceramic lighting by Mamoutzis; 2nd row: Handmade wooden objects and textiles by Forest and Found; 3rd left: spoons by Wooden & woven; 3rd right: Yuta Segawa‘s miniature vases; 4th row: Ceramic designs by Jie Yang; Bottom right: Ceramic designs by I Liang Liu

 

Fung and Bedford

img_8251-min  calendar by An everything  caroline mcneill-moss

glass marbles by kosmosphaera

Top: Fung & Bedford‘s origami installations; 2nd middle: Paper calendar by An everything; 2nd right: Brass sculptures by Caroline Mcneill-Moss; Bottom: Giant glass marbles by Kosmosphaera

 

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naomi mcintosh  julia smith ceramics  img_8271-min

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Scotland: Craft & design pavilion – 3rd left: Naomi Mcintosh; 3rd middle: Julia Smith ceramics; 3rd right: Lizzie Farey; Bottom row: Utopian surface tiles and condiment Set by Jennifer Gray

 

I thought the most impressive pavilion at the fair was the Scotland one. The Scottish designers and makers’ work demonstrated their ability to combine traditional skills with new digital technology to create outstanding pieces of craft.

 

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feelex by Gong Qiaolin/ Qiu Kushan/ Wang Weijia  img_8246-min

Design east exhibition – Top left: Relation textile by Lang Qing & Tea ware by Wu Peiping/ Gu Rong/ Chen Jun; Top right: Blue by Li Jie; 2nd row: Black T by Hu Ke; Bottom left: Feelex by Gong Qiaolin/ Qiu Kushan/ Wang Weijia; Bottom right: Meditation seat ware by Gao Fenglin/Nanoin design studio

 

Another pleasant surprise was the Design East exhibition that featured a range of impressive work by designers and craftsmen from China. The exhibition challenged our perception of Chinese-made designs, and revealed a changing design landscape that is taking place in China today.

 

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img_8284-min  img_8285-min  cobalt design

2nd right: This is India exhibition; Bottom middle: Claymen; Bottom right: Jerry can water flask by Cobalt design

 

Out of all the trade fairs at the design festival, I enjoyed this show much more than others. I think sometimes emerging designers and craftsmen are more daring in their creation, probably because commerciality is not their high on their priorities. Designers and craftsmen have to follow their intuitions rather trends, and it is always encouraging to see people following their hearts than their minds.