Aranya Natural & Athulya at Srishti Welfare Centre in Munnar

aranya natural

 

Before visiting Munnar, I was not aware of the health issues related to tea plantation workers in India. Often foreign media would focus on the working conditions of garment factory workers, yet the problems related to tea plantation workers (primarily female) are largely ignored. Although they are not stuck inside cramped factories, tea plantation workers have to deal with other serious safety and health issues. Locals told me that workers not only have to work long hours at low wages, they also have to live together in communial dormitories with poor sanitation at the tea estates. Health awareness among the tea plantation workers is poor, and often they give births to children with various health conditions and disabilities, yet they receive hardly any government support.

 

srishti welfare centre

srishti welfare centre

 

In 1991, the Srishti Trust was formed, backed by Tata Tea Limited, to support differently-abled children of the estate workers. Founded by Ratna Krishna Kumar, the Trust launched two major projects: Aranya Natural and Athulya, aiming to rehabilitate local youngsters in a safe and fair environment. Later, Nisarga (the strawberry unit) and The Deli (a bakery and confectionery) were added to make preserves, breads and cookies using locally-grown ingredients.

Most visitors to Munnar would head to the main tourist attractions, but few would seek out the Srishti Welfare Centre. Well, they are really missing out. In 1996, the Srishti Welfare Centre moved to an abandoned shed in Tata Tea’s Nettimudi estate outside of the town centre. Their beautiful site is open to the public and visitors can meet many happy workers who are trained at natural dyeing and paper-making. What started out as an experiment has paid off for Ratna and her all-female team’, now even big corporations have employed the Trust to make paper and textiles-related products.

 

aranya natural

aranya natural

aranya natural

aranya natural

aranya natural

aranya natural

 

Aryana Natural is the natural dyeing department at Srishti. All the textiles here are created in a non-toxic environment and all the dyes are azo-free. Many dyes are locally sourced, like eucalyptus, Nilgiri kozha (eupatorium), tea waste, pine cones and other leaves, petals, roots and bark are harvested from the forest nearby. Some specific dyes are sourced elsewhere, like indigo from South India, lac from Jangir Champa, and myrobalan, from traditional medicine shops in Coimbatore. Only natural fabrics such as cotton and silk are used as they work best with natural dyes.

 

aranya natural

aranya natural

aranya natural

aranya natural

 

Every newcomer would receive training by volunteered trainers for about six months on skills particular to their aptitude and interests. Each artisan would specialise in at least one technique i.e. shibori or traditional block printing. World-renowned Japanese textile artist and researcher, Yoshiko Iwamoto Wada, regularly visits and acts as mentor to the young learners. She introduced many traditional Japanese shibori techniques to the trainees, which enable them to develop the skills further. Most of the artisans I spoke to told me that they really enjoy their work, and it was amazing to watch them work – they are fast and very skilled.

 

aranya natural

aranya natural  aranya natural

aranya natural

aranya natural  aranya natural

 

Athulya is the handmade paper unit that creates handmade paper from recycle waste paper, cut boards and other stationery waste. It is committed to use only natural additives in their paper, most of them are found around Munnar like tea, eucalyptus leaves, lemon grass, pineapple leaves, onion peel, flower petals, elephant droppings and water hyacinth (which is a weed affecting our back waters).

Now around thirty people work in this unit and they produce over 52 eco-friendly, azo-free, biodegradable recycled paper products by hand. It is also encouraging to see Starbucks hiring the unit to produce their shopping bags.

 

Athulya

Athulya

Athulya

Athulya

Athulya

Athulya

Athulya

Athulya

Athulya

Athulya

Athulya  Athulya

 

At the back of the sheds, there are a line of greenhouses growing organic vegetables and plants. Seasonal vegetables are picked and used in the Srishti canteen where nearly two hundred employees have lunch every day. There is also a playground for the staff’s children to play, and an award-winning flower garden that features a wide variety of flowers.

 

srishti welfare centre

srishti welfare centre

srishti welfare centre

srishti welfare centre

 

One cannot come here without stopping at the shop. The Aranya Natural shop has to be the most beautiful shop in Munnar. It sells one-of-a-kind handdyed scarves, clothing and home accessories made by the artisans next door. The prices are extremely reasonable and you would not be able to find them elsewhere. If you purchase here, you are directly helping the centre and the artisans, thus making a bold statement supporting sustainable textiles and fashion.

 

aranya natural  aranya natural

aranya natural

aranya natural  aranya natural

aranya natural

aranya natural

 

The Srishti Welfare Centre is not only a beautiful site, it is also an inspiring organisation. Before my trip, I knew little about this place, and I am flabbergasted that few people outside of the textiles world have heard of it. If you have only one day in Munnar, make sure that you spare time to visit this centre because it is well worth it.

 

 

 

 

Papermaking with plants workshop in The Highlands

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The scenery from Ullapool to Assynt

 

Scotland is one of my favourite places in the world. I love the landscape, wilderness, people and traditions; however, I am not so fond of its weather – a crucial element that has put me off moving up there. I have been traveling up to Scotland annually for the last few years to attend a meditation retreat in June, but I would only stay for about 1 week or less each time. This year, I decided to explore further and spend longer time there during my 6-month sabbatical. I stayed for three weeks in July. It started in Glasgow, then Fort Williams, Ullapool and and the Isle of Lewis.

I stayed in Ullapool to attend a paper-making with plants workshop at a local artist, Jan Kilpatrick‘s home/studio in Assynt, a remote area north of Ullapool. Since I wasn’t driving, Jan arranged her friend and workshop attendee, Jo, to give me lifts during the week as she happens to live in Ullapool. The commutes from Ullapool to Assynt were simply breathtaking, and I was capitivated by the sight of Cul Mor, Suilven and Quinag during these car journeys.

 

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Jan is predominantly a landscape textile artist, but she is also a paper and mosaic artist. However, most of the courses she offers on her website are textiles related, so it was lucky that I managed to sign up to her paper-making course, which seems to be less in demand (as we were told). Since there were only a few of us, we got to know each other quite well during the week.

The reason why I signed up for this course was due to my passion for paper and interest in plants/botany. I have previously attended one/two paper-making sessions that lasted less than an hour, so my knowledge was minimal and I wanted to learn more about the technique and craft. Besides, the thought of spending the week sourrounded by nature up in the Highlands was a huge draw for me.

 

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papermaking with plants workshop

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highland flowers  highland flowers

ullapool

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Over the five days, we spent most of the time working outdoors as we were quite lucky with the weather (except for the last day and when the midges attacked). Being able to pick many fibrous plants and grass from Jan‘s wonderful garden and use them as the materials of our paper was fantastic. The process of paper-making involves soaking the plants overnight, followed by boiling the plants with soda ash (or washing soda) and water. Then it is necessary to break down the plant fibres into pulp using a blender, and we mixed the plant fibres with recycled paper pulp to create different textures and varieties.

 

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papermaking with plants workshop  papermaking with plants workshop

papermaking with plants workshop

papermaking with plants workshop  papermaking with plants workshop

paper making

papermaking with plants workshop  papermaking with plants workshop 

papermaking with plants workshop

 

The next stage requires a mould and deckle (you can make one using picture frame and mesh), a vat filled with water and a bit of pva glue. Then it is time to add the pulp mixture into the water and let it dissolve in the vat. What followes is the most difficult part – using the mould to scoop the pulp from the back and bottom upwards inside the vat. When the mould is lifted you, it is best to shake it from side to side to drain the water and even out the pulp. This process requires patience and steady hands for consistency, and it may take several attempts to get the pulp evenly rested on the mesh. Sometimes the paper may be too thick or too thin, and it differs depending on the plant fibres.

 

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papermaking with plants workshop  papermaking with plants workshop

 

The final stage is to remove the deckle from the mould and place the pulp on the mesh safely onto a wet paper towel. Then you need to press the pulp down with a sponge, add another piece of paper towel on top and place a heavy wooden board on top to squeeze out any excess water. After some time, you can lift up the board and hang the paper to let it dry on a rack.

 

papermaking with plants workshop  papermaking with plants workshop

 

We used a variety of plants like nettles, horsetails, daffodils, montbretia, dock leaves, and grass as our pulp, and we also added some flower petals as decorations. Since the process of paper-making is the quite repetitive, Jan suggested that we try mono-printing with plants, as well as eco-printing by arranging the plants onto the paper followed by steaming it.

 

papermaking with plants workshop

papermaking with plants workshop  papermaking with plants workshop

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papermaking with plants workshop  img_5770

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papermaking with plants workshop

papermaking with plants workshop

 

After four days of making and experimenting, we spent the last day compiling everything together into a large portfolio book showcasing all the papers we made, and binded it together with some strings. We also created two mini plant books each featuring some of our handmade paper.

 

papermaking with plants workshop

papermaking with plants workshop

papermaking with plants workshop

 

The five days went exceedingly quickly, and I found the workshop extremely inspring and enriching. It was also lovely to enjoy the vegetarian lunches that Jan prepared for us daily using many ingredients from her vegetable garden.

On Wednesday, we crossed the road and visited the Elphin market where there were vendors selling food and craft produced by local farmers and artisans. I learned that many artists and artisans chose to live and work in the Highlands due to its remoteness and landscape and nature, which I have no dounts would make one more creative being in this environment.

It was sad to leave this place behind, but there was more adventure awaiting, so I left feeling quite joyous and refreshed.

 

salad  img_5841

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elphin market  elphin market

elphin market

elphin market