“Floating worlds: Japanese woodcuts” exhibition at Brighton Museum

brighton musuem

brighton musuem

 

I have visited exhibitions on Ukiyo-e (Japanese Woodblock prints) in Japan, France and London before, but never in Brighton. After reading some positive reviews on the “Floating Worlds: Japanese Woodcuts” exhibition at the Brighton Museum & Art Gallery, I decided to head to Brighton to see the exhibition before it ended.

Oddly enough, even though I have visited Brighton several times before, I have never been to the museum nor The Royal Pavilion. As I was approaching the museum located within the Royal Pavilion garden, I was immediately impressed by its architecture, which was built in a similar Indo-Saracenic style as the nearby Royal Pavilion.

 

brighton musuem

brighton musuem

brighton musuem

 

Opened in 1873, the museum was one of the first purpose built museums in England. A major refurbishment costing £10 million took place in 2002, moving the entrance from Church Street to the Royal Pavilion garden, and its galleries redesigned with new interpretation.

The museum has a interesting collection of pottery, which was the collection of one of its founders. Henry Willett, a wealthy local brewer.  I was also surprised to see the 20th Century Art and design collection in the main gallery featuring artists and designers like Pablo Picasso, Salvador Dali, Eric Ravilious, Charles Rennie Mackintosh and Grayson Perry etc.

 

brighton musuem  brighton musuem

brighton musuem

brighton musuem  brighton museum

brighton museum

brighton museum  brighton musuem

 

The ukiyo-e exhibition occupied two rooms upstairs, and it showcased woodblock prints from the Edo period (1615-1868), which are part of the museum’s collection. Guided by haiku poetry, the exhibition enabled visitors to learn more about lives in Edo ( Tokyo) through the exquisite prints.

The term ‘ukiyo-e’ literally means ‘pictures of the floating world’. The ‘floating world’ referred to the ‘pleasure quarters’ that were filled with teahouses, Kabuki theatres and licensed brothels in Japan’s cities during the Edo period. The hand-carved and hand-printed prints depict actors, courtesans and geisha, who became style icons of their day. I love the detailed patterns on the kimonos of the courtesans and geisha, which reveal the splendid craftsmanship of the period.

 

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Besides the ‘pleasure quarters’, the exhibition also explored the Hanakotoba, the Japanese language of flowers. Meanwhile, countryside and the transient seasons are common themes featured in ukiyo-e, alongside with Japan’s iconic Mount Fuji, which was illustrated either explicitly or implicitly in the background.

 

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Unlike the extremely crowded and overhyped Hokusai exhibition at the British Museum, I utterly enjoyed this low-key and wonderful exhibition. It is hard to appreciate an exhibition in a stressful environment (where people kept pushing, chatting and refusing to move), hence the quiet and spacious setting of this exhibition truly enabled visitors to appreciate the poetic quality of the prints. I only wish that the museum will showcase more of its ukiyo-e prints to the public in the future, because they are just too beautiful to be locked away.

 

brighton museum

Drawings by the visitors at the exhibition

 

Houkusai & Hirashige’s ukiyo-e exhibition at MOA Atami

moa museum of art

 

After my visit to Kyu Hyuga Bettei, I headed back to the train station to take a free shuttle bus to the MOA Museum of Art situated on the top of hill that overlooks the sea. Like Miho Museum in Kyoto, this private museum was opened in 1982 by the Mokichi Okada Association (MOA) to house the art collection of the multimillionaire and religious leader (Church of World Messianity) Mokichi Okada (1882–1955).

There are 3,500 paintings, calligraphy works, sculptures, lacquerware and ceramics focusing on Japanese and Chinese art. The museum reopened in 2017 after a major renovation by contemporary artist Hiroshi Sugimoto and architect Tomoyuki Sakakida.

 

moa museum of art

moa museum of art

moa museum of art

 

Interestingly, in order to reach the entrance of the museum, visitors have to go up a series of long escalators in a tunnel-like setting with colour-changing lighting. And when visitors reach the top, there is a dome showcasing some projected imagery with sound installations. The whole experience (before you even reach the museum) is immersive and uplifting, which makes you anticipate and look forward to what is to follow.

 

moa museum of art

moa museum of art

moa museum of art

moa museum of art

moa museum of art

 

Finally, after I left the first building, I was out in the open with the sky and sea on one side, and a massive pinkish contemporary building on the other. And before stepping onto the the long and wide staircases, I was greeted by Henry Moore’s bronze work, “King and Queen”. I was incredibly lucky with the weather, and the view of the sky and sea was spectacular on the day of my visit.

I was also fortunate enough to have been able to see the special exhibition: “Hokusai and Hiroshige―The Thirty-six Views of Mt. Fuji and the Fifty-three Stages of the Tokaido“. Although I have seen several exhibitions on the ukiyo-e by Hokusai and Hiroshige, I have never seen the two complete series side by side, so I was really excited about it.

 

moa museum of art

Thirty-Six Views of Mount Fuji by Katsushika Hokusai

Thirty-Six Views of Mount Fuji by Katsushika Hokusai

Thirty-Six Views of Mount Fuji by Katsushika Hokusai

Thirty-Six Views of Mount Fuji by Katsushika Hokusai

Thirty-Six Views of Mount Fuji by Katsushika Hokusai

 

Published in 1831 by Nishimura Eijudō press, Katsushika Hokusai’s (1760-1849) 36 woodblock print designs were published initially, with 10 more added later on. The two most famous prints are “The great wave of Kanagawa” and “A mild breeze on a fine day” or The Red Fuji”, and they both depict the power and calmness of nature. In every print, the revered Mount Fuji can be seen from different angles, sizes and colours.

 

hokusai

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“Fifty-three Stations of the Tokaido” by Utagawa Hiroshige

 

The Hoeido press published Utagawa Hiroshige’s (1797-1858) “Fifty-three Stations of the Tokaido” in 1833-4 after his expedition with the Shogun from Edo to Kyoto the previous year. The series of woodblock prints feature the landscape of the 53 post stations along the The Tokaido route, which connected Edo with the then-capital of Kyoto. If you want to learn more about this, you can check out this map that features the locations and prints by Hiroshige.

The compositions, the use of colours and tones, and most importantly –humanity– are expressed vividly by the two great masters. It was a real treat to be able to see the complete sets at this exhibition.

 

Nonomura Ninsei  MOA

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MOA

 

Besides the temporary exhibitions, there are some exquisite National treasures that can also be found at the museum. One of them is Ogata Korin‘s masterpiece from the Edo period “Red and White Plum Blossoms,” painted on a pair of two-panel folding screens. The other is another Edo period Tea-leaf jar with a design of wisteria by Nonomura Ninsei. And in another room, there are also some photographic works by Hiroshi Sugimoto of the sea shot from Atami.

There is even a Noh theatre inside the museum where performances and concerts are held regularly.

 

MOA

MOA

MOA

MOA

 

One you step out of side of the building, a path would lead you to the Japanese tea garden, Ippaku-an and Shotei tea houses and the reconstructed Residence of Ogata Korin (a famous Japanese painter, lacquerer and designer of the Rinpa school) based on the documents from the Konishi Archive.

It was incredibly calm and meditative to walk around the garden, and I only wish I had more time to spare here. I would recommend a visit to this stunning museum especially if you want to get away from the hustle and bustle of Tokyo. Although Tokyo offers many world-class museums, it is the beautiful nature and environment that makes this museum stands out from the crowd.

 

24 hours in Hida Takayama

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Stunning scenery of the mountains during the train journey to Takayama

 

Even though I am familiar with unpredictable weather, I wasn’t fully prepared for the fluctuation of temperatures and weather while traveling around Japan. For the first 10 days of my trip in the Kansai region, I experienced exceptional warm and sunny weather (above 25 degrees). Yet as I headed northwards, the temperature had dropped down to around 12 degrees by the time I reached Hida Takayama. Located in mountainous region in Gifu, which is known as the Japan Alps, the city has an altitude of 562 m (1844 ft), hence it is called ‘tall mountain’ in Japanese. Although I was wearing my down vest, waterproof jacket and scarf, my enthusiasm was dampened by the cold and wet weather when I arrived.

 

Takayama

Takayama furniture

The modern-looking Takayama train station also showcases furniture made in the region

 

After dropping off my luggage at the Yamato luggage forwarding office near the train station (my saviour during my travels around Japan), I was craving for something hot and comforting. And so I headed into the nearby Hida noodle shop, where they specialise in handmade soba noodles, and it was exactly what I needed.

 

Takayama Hida  Takayama Hida

Hida noodle shop

 

After settling down at the ryokan, I spent the afternoon walking around the old town, which has been preserved with many buildings and streets (esp. Sannomachi Street) dating from the Edo Period (1600-1868), when the city was full of wealthy merchants. This area is also known as the “Little Kyoto”, and like Kyoto, it does get very crowded during the touristy seasons.

 

Takayama

Takayama

Takayama  Takayama 

Takayama

Takayama

Takayama

 

Hida Takayama is particularly well-known for woodblock printing, and there are a number of handicraft shops that sell souvenir featuring this technique. One local specialty is the Shin Kougei animal dolls, which are all hand-printed and hand-sewn using the traditional techniques.

 

Hida Print Coffee Shop Baren

Hida Print Coffee Shop Baren

Hida Print Coffee Shop Baren

Hida Print Coffee Shop Baren

And if you want to admire the woodblock prints up-close, then you can do so at the Hida Print Coffee Shop Baren while enjoying some snacks and coffee at the same time. The cafe is a bit touristy, but it is quite cosy with good ambience.

 

Takayama

Takayama

Fujii Folk Craft Museum

 

Slightly put off by the rain and crowds in the streets, I paid a visit to the Fujii Folk Craft Museum (Fujii Bijutsu Mingeikan) situated inside a traditional storehouse, built entirely with Japanese cypress in the Edo Manryu style. It houses a collection of 2,500 historical art and craft items amassed by Dr. Fujii, including some fascinating household items/ everyday objects.

 

HIDA TAKAYAMA FACTORY Dolce and Kitchen  HIDA TAKAYAMA FACTORY Dolce and Kitchen

HIDA TAKAYAMA FACTORY Dolce and Kitchen

 

On my way back to the ryokan, I could resist the ice cream poster outside of HIDA TAKAYAMA FACTORY Dolce and Kitchen, and I opted for a Mont blanc ice cream, which was one of the best ice creams I have had during my trip. I love eating ice cream in cold weather – I just found it immensely pleasurable!

 

Takayama

Takayama  Takayama

Takayama

Takayama

 

My lodging in Hida Takayama was a traditional ryokan called Oyado Yamakyu. It is popular with tourists because it is good value and the service is friendly and accommodating. I was really impressed with the multi-course dinner (and breakfast), which was included in my room rate; the food just kept coming… until I was almost unable to move. Yet it was all fresh, delicious and healthy, so I didn’t feel too guilty after the feast.

 

takayama

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takayama

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Dinner at Oyado Yamakyu

 

To be continued…

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